(RE)TRACING SELF, WORLD, AND AGENCY IN
NARRATIVES OF TRANSFORMATION
Andrea Cabajsky (elle/she)
Full Professor of Comparative Literature and English at Université de Moncton
"Failed Future Worlds in Canada's Colonial Fictions"
Andrea Cabajsky is a Full Professor of Comparative Literature and English at the Université de Moncton. A comparatist by training, she specializes in theory of the novel and literary history in French and English Canada. Her edited books include National Plots: Historical Fiction and Changing Ideas of Canada (WLUP, 2010; with Brett Josef Grubisic), The Manor House of De Villerai (Broadview, 2015) and Canadian Literature in the Long Nineteenth Century (Routledge, forthcoming). Recent articles and book chapters have appeared in Port Acadie (2022), Ultraminor World Literatures (2022), The Cambridge History of the Novel in French (2021), Journal of Canadian Studies (2019) and The Oxford Handbook of Canadian Literature (2016). She has been Associate Editor of the Journal of Canadian Studies/Revue d’études canadiennes, a member of the Executive Board of the Association of Canadian and Québec Literatures (ACQL) and Chair of the Gabrielle Roy Prize administered by ACQL. She currently sits on the Advisory Board for Studies in Canadian Literature/Études en littérature canadienne. She has communicated the results of her research to the general public in the form of media interviews, most recently for the CBC Radio program Ideas (“The Passion of Émile Nelligan” 01-2024).
Important Updates:
The conference will now take place over two days:
Friday, March 15th and Saturday, March 16th.
Location:
Friday: DKN-2153, Saturday: DKN-2159
Pavillon Charles De Koninck, Université Laval
1030, avenue des Sciences-Humaines
Québec (Québec) G1V 0A6
Call for Papers
“Writing and performing should deepen the meaning of words, should illuminate, transfix and transform.”
–bell hooks
In literary studies, scholars and writers such as bell hooks have highlighted the transformative potential of words, revealing that writing and artistic performance are not merely acts of creation but journeys toward self-discovery and social change. As we navigate the complexities of our contemporary society, marked by profound shifts and challenges, the need for narratives of transformation has become more urgent. In an era that grapples with social justice, environmental crises, and cultural transformation and revitalization, we invite scholars from various fields to engage with the theme of “Narratives of Transformation.” This call for papers seeks to reflect on writing and artistic performance as vehicles for personal and collective healing and empowerment. We invite papers on all narrative forms and genres that inspire change, challenge the status quo, and bring forth stories that (re)trace and weave together individual and collective pasts, presents, and futures. Université Laval's 2024 Graduate Conference for English Literature proposes to engage narratives of transformation to consider questions such as:
● In what ways can narratives of transformation serve as a catalyst for personal growth, social change, or healing in our contemporary society?
● How do authors explore the intersectionality of identities, such as race, gender, or class, in the context of narratives of transformation?
● What are the roles of storytelling and writing in challenging the status quo and inspiring change in today's world?
● What ethical and social responsibilities should writers and scholars consider when engaging with narratives of transformation?
● How can narrative (re)imagine and bridge past, present, and future, and to what effect?
● How does literature employ narrative techniques to depict transitions and convey the aesthetics of change and transformation?
ULGCEL 2024 invites graduate student presentations that explore such questions as they relate to literature, film, graphic novels, television, video games, or wherever narrative is found. We welcome a variety of theoretical and critical approaches and encourage presentations of 15-20 minutes. Topics for consideration encompass, but are not confined to:
● Intersectionality
● Multiculturalism
● Identity and Representation
● Gender and Sexuality
● Postcolonial Narratives
● Environmental Narratives
● Dystopian and Utopian Narratives
● Transcultural Narratives
● Narrative and Ethics
● Narrative and Memory
We invite graduate students (MA, PhD, as well as advanced undergraduates) from various disciplines (Literature, Translation Studies, Film Studies, Cultural Studies, Indigenous Studies, History, etc.) to submit proposals. Please submit an abstract of 250 words and a biography of 50 words to: aeglea@asso.ulaval.ca. Include your name, affiliation, degree program, e-mail address, equipment needs, as well as the title of your presentation, and upload the document as a Word attachment.
Program
Friday, March 15, DKN-2153
9h00: Arrival
9h25: Words of Welcome
9h30 - 11h00: Panel 1
Chair: Dr. Jean-Philippe Marcoux
11h00 - 11h15: Coffee Break
11h15 - 12h45: Panel 2
Chair: Dr. Liani Lochner
12h45 - 14h15: Lunch
14h15 - 15h45: Panel 3
Chair: Dr. Elspeth Tulloch
15h45 - 16h00: Coffee Break
16h00 - 17h30: Keynote
Chair: Sophie Larue
Welcome, coffee, registration
Renée-Loup Caron
Women's Journeys of (Re)Discovery
Clara Ng, University College London: "Impasse, aspiration and transformative choice in contemporary women’s autofiction"
Alizée Castagna, Université Laval: "Ginny Weasley, from a girl "like no other" to a failed adaptation: A study of the writing and adaptation of the character of Ginny Weasley"
Ariel Pinol, Université Laval: "From Infanticidal Monster to Empowered Witch: the Medean Character in Cherríe Moraga’s The Hungry Woman and Marina Carr’s By the Bog of Cats"
Hamida Riahi, Northern Border University, Saudi Arabia: "Intersectional Identities in the Anglophone Arab Novel by Muslim Women Writers in the Diaspora"
Crafting Change Through Creative Resistance
April Manderson, University of Salford UK: "‘Write the Power’ the journey to healing and self-discovery through our Community Writing Collective"
Betty Kettani, Université Laval: "The Fear of Freedom: Navigating the Battlefield of 19th-Century Censorship in Literature and Visual Arts"
Joanne Butcher, University of Hull: "Film Representations of the Victim-to-Survivor Transformation"
Marietta Kosma, University of Oxford: "(Re)Tracing Self and Agency in Austin Clarke’s The Polished Hoe"
Rooted Identities: Exploring the Self in Nature Narratives
Thomas Storey, King’s College London: "Hybrid Encounters: Transformations of Self and Other in Frankenstein and Xenogenesis"
Aditi Basu, Independent Researcher: "Studying Gender Intersectionality in Hindu Ecofeminist Narratives: Significance in the 21st Century"
Roxanne Bédard-Saucier, Université Laval: "Narratives of Journey: Significance of Hiking and Multilayered Narrative Framing in Cheryl Strayed’s Wild and Jon Krakauer’s Into the Wild"
Andrea Cabajsky
Restaurant Dinner
Details TBA
Saturday, March 16, DKN-2159
9h00: Arrival
9h30 - 11h00: Panel 4
Chair: Carrie Lynn Evans
11h00 - 11h15: Coffee Break
11h15 - 12h45: Panel 5
Chair: Myriam Bowles-Carrier
12h45 - 14h30: Lunch
14h30 - 16h00: Panel 6
Chair: Gabriela Flor
Welcome, coffee, registration
The Art of Affecting Readers
Sahar Kheirandish, Bordeaux Montaigne University: "Narrative Empathy in Flux: Leslie Jamison's The Empathy Exams as a Catalyst for Transformation"
Akshata Sharad Pai, University of Hyderabad, India: "Enchanting Transformations in Richard Powers' The Overstory and Bewilderment"
Alexandre Tousignant, Université Laval: "Narrative Games as an Interpretive Space"
Kalie Chapman, University of Windsor: "The Transformation of Narrative in Poetic Theatre: Shange Ntozake’s Teller-Listener Relationship"
Narrative Alchemy: Indigenous Wisdom & Resurgence
Robyn Palfrey, University of Victoria: "Aesthetics of Change and Transformation in Fred Wah and Rita Wong’s Collaborative Poem from beholden: a poem as long as the river"
Sophie Larue, Université Laval: "Tapping into the Lifeforce: Indigenous Women Weaving Spaces of Reproductive Justice and Decolonial Maternal Love into Poetics of Resurgence"
Olivia Brodowski, University of Victoria: "Unwinding Convention Through Entwining Systems: How Mycelium and Dramaturgy Inform our Thinking, Being, and Relating"
Beyond Borders: Queer Identity & Desire
Sophie Bradley, Lehigh University, Pennsylvania: "Writing and Performing: Biopolitics in Christina Rosetti’s 'Goblin Market'"
Andreea Moise, University of Bucharest: "'A Blue Like No One Else’s': The Mourned Sapphic Body in Ali Smith’s Artful"
Drishti Kalra, Delhi University: "Beyond the Binary: Sex Change and Gender Conformity and Non-Conformity in Buddhist Narratives"
Our Organizers
Sophie Larue, Carrie Lynn Evans, Isabelle Dompierre-Lapointe, Myriam Bowles-Carrier, Renée-Loup Caron, Roxanne Bédard-Saucier